在片场和戏中戏之间的游走的镜头,以及Leo和Pitt之间简单纯粹的关系,尽是对好莱坞峥嵘岁月的怀念:散文化的叙事没有降低其娱乐性,与生俱来的幽默感与喋喋不休在也悄然间为杀戮变奏埋下伏笔,在最后半小时用著名的血色谋杀打底,为自己那标准性的血浆找到了发泄口,更为真实存在的遗憾与惊愕找到了一个慰藉人心的时空。这就是昆汀对电影的爱吧,狠起手来毫不手软,暖起心来也得心应手:正如本片的抬头once upon a time,本身就是一出醉人的童话。在经历过不紧不慢又张牙舞爪地炫技后,1969年这个耐人寻味的节点,被永远定格在了那个良夜,某种意义上,这也是痞子对那个时代的悼念
Nostalgia for the 70s and 80s B-rated revenge films. The visual fetishes influence deeply how you"experience" the film and their expressive potential. Time is moving as are the visuals even if all objects are still in the frame. The action is completely raw, which makes it more impactful. It's a cult classic in the making.